Creator: Unknown. In a letter to the J. Paul Getty Trust on December 18, 2006, True stated that she is being made to "carry the burden" for practices that were known, approved, and condoned by the Getty's Board of Directors. Tiny timeline: ancient Egypt and Mesopotamia in a global context, 2nd1st millennia B.C.E. Show all. This is not the factually correct basis for the German courts ruling as has been outlined earlier in this blog post. Despite the lack of legal provenance documentation or export certificates substantiating the antiquitys legitimate export out of any originating source country where Greek remains might be found, and superseding the voiced concerns of the statues legitimacy raised by John Paul Getty himself. In 1973, Mr. Getty discussed the possibility of joint acquisition of the statue with Thomas Hoving, director of the Metropolitan Museum. The order for the statues seizure was made on the grounds of Articles 666, 667, and 676 of the Italian Criminal Code, and article 174 section three of Legislative Decree no. The dossier acknowledged that the Italian state had no valid claim to the Bronze, but instead requested that the Getty surrender the Bronze in the spirit of collaboration between the Ministry and the Getty. The most original (and enjoyable) part of Mattuschs study may be the section near the end entitled The Publics Questions (82-83), in which remarks made by undergraduate students and surreptitiously observed Getty Museum visitors are reported. The captain of the vessel was Romeo Pirani, the owner of the vessel was Guido Ferri. At the very least, assigning a post-Classical date to the Getty statue makes an identification as a Hellenistic royal portrait possible. German authorities terminated the investigation in April 1974 for lack of evidence of wrongdoing. spectrum center covid protocol. how much does an ambulance weigh; pisces sun scorpio moon personality; liuna annuity withdrawal; mercy lewis role in the crucible; A series of fortunate events July 20, 2020. It is important to note that there are Uffici di Esportazione Oggetti dAntichit e dArte in many Italian cities, each with their own directors. The victors received wreaths of different leaves depending on the site location; laurel at Delphi, olive at Olympia, pine at Isthmia, and wild celery at Nemea. The Victorious Youth, Getty Bronze, also known as Atleta di Fano, or Lisippo di Fano is a Greek bronze sculpture, made between 300 and 100 BC, [1] in the collections of the J. Paul Getty Museum, Pacific Palisades, California. There it was submerged in a saltwater bath to try and minimize the odor and slow its decay. In 1966 these four accomplices were formally charged with purchasing and concealing stolen property in violation of, Article 67 of Italian law n. 1089 of 1939. The J. Paul Getty Museum in Los Angeles has vowed to assert its right to keep an important Greek statue after Italy's highest court rejected its appeal of a . At that hearing the case was remanded back to the Tribunal of Pesaro for further examination of the merits of the case. On display at The J. Paul Getty The huge, roaring monster with multiple heads, taller than two houses, able to snap up a horse and rider in a single bite, did not faze him. The court has not offered any written explanation of the grounds for its decision, which is inconsistent with its holding 50 years ago that there was no evidence of Italian ownership. This time, armed with the photographic evidence provided to the Carabinieri by Renato Merli on November 24, 1977, which showed the bronze statue as it appeared at the time of its discovery, still covered with marine life, Italian prosecutors finally had a body to go with their smoking gun as Merlis photo perfectly matched the statue sold by Artemis to the J. Paul Getty Museum. The fishermen who found the artefact sold it in Fano, a town in Pesaro province, to Italian art dealer Giacomo Barbetti. To hold the eye in place a reddish sheet of copper would have been cut to fit the eye socket and then be curled into lashes. Bernard Ashmole, an archaeologist and art historian, was asked to inspect the sculpture by a Munich art dealer Heinz Herzer; he and other scholars attributed it to Lysippos, a prolific sculptor of Classical Greek art. [22] The Getty Museum is involved in a controversy regarding proper title to some of the artwork in its collection. The date of this statement, and who it was made to, and in what, if any, official capacity has not been clarified in the Getty Museums timeline. Founded in 1970, and headed by German antiquities dealer Heinz Herzer, evidence presented by the Italian state at the Tribunal in Pesaro in February 2010 suggested that Artemis was created ad hoc, with the specific purpose of managing the exportation, restoration and subsequent purchase of this valuable statue. However, nothing about him refers to strength; his body is not particularly muscular or powerful in his stance. The journal also publishes articles on law and human rights in African states as well as social science work related to . o Presence on an Italian-flagged boat does not make the object Italian. The ship carrying it may have foundered, preserving the statue for centuries in the sea. Analysis Of The Book ' Of Cannibals ' 1008 Words | 5 Pages. 3 (#99152), Dr. Elena FitzPatrick Sifford on casta paintings. On November 8, 1970 the Court of Appeal in Rome absolved all four defendants of wrongdoing, as again, the whereabouts of the statue was not known at that time and without the benefit of being able to examine the unaccounted for antiquity, there was insufficient evidence to prove the underlying crime that the bronze was of historical and artistic value or in which governing territory the missing bronze had been found. statue of a victorious youth formal analysis. The research and conservation of the Victorious Youth dates from the 1980s to the 1990s, and is based on studies in classical bronzes, and ancient Mediterranean specialists collaboration with the Getty Museum. This Act provides legal framework for bilateral agreements that combat looting. Specialists neutralize the active corrosion by submerging it in a heated solution of sodium sesquicarbonate. Auction will be held on Sun Nov 28 @ 10:00AM in Tampa, FL 33646. Italys battle over the statue included a letter to the US president, Donald Trump, from art critic Vittorio Sgarbi calling on him to ensure its restitution. [15] Interpreting the anatomy is important in identifying the statue, from the detail in the joints, delicate attention to the wrists and ends of fingers there is a youthful representation. Not until the 1990s was the next attempt to identify the sculpture and the Getty Museum didn't approve the name. as relayed by the testimony given by Renato Merli, an Imola merchant, on November 26, 1977 to the Italian Carabinieri. Startseite > Uncategorized > statue of a victorious youth analysis. He had been an adventurer in his youth. A cross check was begun by the Carabinieri Command for the Protection of Artistic Heritage on January 2, 1978 who then sent a photograph of the statue of Lysippos to the Ministry for Cultural and Environmental Heritage, and from there on to the countrys Export Offices in order to ascertain if an export license had ever been requested from any of them. statue of a victorious youth analysis. The fisherman brought it ashore and sold to Italian buyers. The stalemate led to a breakdown in the negotiations--until recently. 2020 ford edge heads up display; The sum paid was nearly 800 times the $5,600 that Italian art dealers gave to the fishermen who found it. The article -- "Propaganda via portrait paintings" -- offers an analysis of the above painting by an unknown artist, the Armada Portrait of Elizabeth I: In this painting, the queen dons elaborate lace, ribbons and countless strings of large pearls. Title: Statue of a Victorious Youth (Main View, front) Creator: Unknown Date Created: 300-100 B.C. The fisherman brought it ashore and sold to Italian buyers. "The Bronze Statue of a Victorious Youth" is an almost life-size figure of an athlete wearing a victory wreath. His painting is a great example of solid Greek art in subject and aesthetic. They start to show real and modern people instead of gods and goddesses. Details Title: Victorious Youth Date Created: 300 - 100 B.C. . Without any evidence for a shipwreck other than the statue itself, we have no way of knowing whether he was destined to end up in the hands of a good Roman collector like Cicero or a bad Roman collector like Mummius, Sulla, Verres, or Nero, or even in a scrap metal heap. In the course of these sections, Mattusch introduces in a lively and painless manner some of the major concepts governing the study of Greek and Roman sculpture by Classical archaeologists, including her own work on the serial production of bronze originals from reusable clay molds over the centuries fully developed in Classical Bronzes [Ithaca, NY 1996]. The museum also issued a timeline which I have elaborated upon below. Statue of a Victorious Youth, 300 -100 BCE Bronze with inlaid copper 59 3/5 27 3/5 11 in | 151.5 70 27.9 cm Permanent collection J. Paul Getty Museum Los Angeles Get notifications for similar works Watch lot Create Alert Want to sell a work by this artist? The primary evidence in the case came from the 1995 raid of a Geneva, Switzerland warehouse which had contained a fortune in stolen artifacts. Yaym tarihi 10 Haziran 2022 (). 43 miles from (Mount) Conero, a promontory situated directly south of the port of Ancona on the Adriatic Sea and about 27 miles from the coast of the former Yugoslavia at a depth of about 75 meters. Join our mailing list to get periodic updates on ARCA art and heritage crime conferences and ARCA professional development courses. Borowski had told von Bothmer that he had witnessed seeing the statue while it was still hidden inside the bathtub at the priests residence in Gubbio. (This letter is part of Annex 10 of the defense evidentiary documents of December 21, 2009). Original reporting and incisive analysis, direct from the Guardian every morning. Donatello's David represents a union of classical and humanist concepts in alignment with Christian iconography. Barbetti in turn shifted the statue to his own property before moving it on to the church sacristy of Giovanni Nagni, a priest in Gubbio. As part of a robust due diligence process, Stuart Peeler, a prominent Los Angeles lawyer and Getty Museum trustee, reviewed the Italian court decisions from the 1960s and a legal opinion provided by a pre-eminent Italian counsel and concluded, as had the highest Italian court, that Italy had no legal claim to the statue because there was no evidence it was of Italian origin or that it was found in Italy (or Italian waters), and that the Getty Museum could obtain good title. Amenhotep Akheprure II, Pharaoh of Egypt (c.-1468 - c lost, and valor earned, but there is an arguably more powerful spoil of war that is rarely discussed: the right to write the story. [21], The Bronze was originally owned in 1971, by the Artemis Consortium, an association of several international art dealers, and then stored with a Munich art dealer, Heinz Herzer. letters to Atticus. Claim Your Free eBook Now. The Getty appealed to the Court of Cassation. The journal publishes articles on the work of African regional and sub-regional human rights bodies as well as the work of international bodies related to Africa. The Getty Foundation has supported 137 grant projects on Italian art totaling more than $20 million, awarded more than $500,000 in fellowships to Italian scholars, and hosted more than 130 Italian scholars, fellows, and interns supported by grants totaling over $1.3 million. Sections entitled Statues for Civic Pride (23-35) and Statues for Victors (36-51) establish contexts for the production of large-scale bronze statues in the Greco-Roman world. Court documents and statements made by Jiri Frel show that in 1975 John Paul Getty, showed at least some continuing interest in the bronze statue, where, upon his request, the antiquity was shipped for a second time to the London warehouses of David Carritt Ltd., a branch of the Artemis SA, established in Luxembourg. statue of a victorious youth formal analysis. statue of a victorious youth formal analysis. This six-part video series illuminates art history concepts through fun, unscripted conversations between art historians, curators, archaeologists, and artists, committed to a fresh take on the history of visual arts. In turn Gasperini affirmed the order of forfeiture for the statue known as the Victorious Youth, attributable to the Greek sculptor Lysippos, as previously ordered on February 10, 2010. Read more Formal Analysis of Napoleon Crossing the Saint-Bernard Pass After placing your order by submitting your . [3] A possible reconstruction to the Getty Bronze is that the statue could have held a palm frond as these were gifts given to the victors. The statue's right hand touches an olive wreath on his head, an attribute most readily connected with the victor's crown awarded in the Olympic games. Date: 300 - 100 B.C. There is a possibility of silver on the olive crown and more color to enhance the cheeks. The "Bronze Statue of a Victorious Youth" has a remarkable story. [13] By understanding the specific wreaths worn by the winners, one could hypothesize which temple the statue would have housed. statue of a victorious youth formal analysischronicles of kerrigan book 13. statue of a victorious youth formal analysis. On January 9, 1974 the Italian Magistrate in Gubbio opened a court proceeding against unknown persons for the crime of clandestine exportation and issued an international rogatory request asking for the seizure of the sculpture, as well as an interrogation of Herzer as a suspect potentially involved in the clandestine exportation of archaeological finds from Italy. Italian: Vorremmo fare il punto sul rapporto con il Paul Getty Museum perch ci sono state alcune incomprensioni, mentre vorremmo che fosse molto chiara la nostra posizione: infatti, esiste una serie di provvedimenti giudiziari che hanno i loro corsi e, mentre la magistratura svolge i propri accertamenti, vorremmo trovare una soluzione di buona volont con il Getty. As stated above, the Court of Cassation annulled the Appellate Court sentence in May 1968 and ordered the case reheard in a new trial. (It. Following up on the lead, the Carabinieri visited Herzers shop in July 1973 when they were in Munich for another investigation. On that occasion Hoving received approval from Getty to negotiate a 3.5 million dollar asking price with Herzer and Artemis, with a tentative agreement being made between the two men that the bronze would be shared between the Metropolitan Museum of Art and the J. Paul Getty Museum in exchange for the Met providing a long term loan to the J. Paul Getty Museum of its 17 Boscotrecase frescoes. The reason for the ministrys failure to join any of the Italian legal proceedings related to the bronze in the 1960s stems simply from the fact that the ministry did not yet exist as it was not until 1974 that it was formally established. Which event the youth won is unknown by athletic figures of this type were a common theme in Greek art. 5.1 Public art listed by artist. Amenhotep inherited a vast kingdom from his father Thutmose III, and held it by means of a few military campaigns in Syria; however, he fought much less than his father, and his reign saw the effective cessation of hostilities between Egypt and Mitanni, the major . We very much value our strong and fruitful relationship with the Italian Ministry of Culture and our museum colleagues in Italy. In the end, this short and accessible monograph will make Carol Mattuschs work on the production of ancient bronze sculpture available to an audience outside the field of Classical archaeology, and that may accomplish more than a traditional study of the Getty bronze could have. Despite slightly different interpretations, a collective agreement states that production can be dated to between the late fourth century and middle of the third century B.C. statue of a victorious youth formal analysis . Its location was well-known to Italy since at least 1973. Additional resources View this work on the Getty Museum's website Millions trust Grammarly's free writing app to make their online writing clear and effective. Using baring methods, based on the isosceles triangle principle, and using a hand compass and the boats speedometer, (tools the fisherman may have had or used), one can estimate the distance of a fixed point with some reasonable approximation. ', '$.027', '$.03', '$.054/mbf', '$.07', '$.07/cwt', '$.076', '$.09', '$.10-a-minute', '$.105', '$.12', '$.30', '$.30/mbf', '$.50', '$.65', '$.75 . SKU: 62670. Getty Center 1200 Getty Center Drive, Los Angeles, CA 90049. All of the above actions demonstrate willful intent on the part of the fishermen smugglers and their intermediaries to profit from the illicit sale of this unregistered antiquity. According to statements taken by Fano fishermen with knowledge of the event, who worked aboard the fishing vessel Ferruccio Ferri and were involved in the discovery, the bronze statue, which came to be known as lAtleta Vittorioso, was found by coincidence, and was hauled up into fishing nets from the Adriatic sea in August 1964. 5.3 Public art listed thematically. Lisa Lapin | December 11, 2018 | Pesaro prosecutor Silvia Cecchi told Italian media that the supreme court ruling was the final word from the Italian justice [system] and that the Lysippos statue must be returned. We believe any forfeiture order is contrary to American and international law. Trebonianus Gallus emperor or athlete? Saying anything more here will make this already very long post unnecessarily redundant. The core material also included woven linen fibers, another botanical clue (together with the olive crown) pointing toward Olympia, according to Pausanias the only flax-growing region of Greece, as the original context for the statue. fWOMEN AND THE VOTE ffWOMEN AND THE VOTE a world history JAD ADAMS 1 f1 Great Clarendon Street, Oxford, ox2 6dp, United Kingdom Oxford University Press is a department of the University of Oxford. This order followed an earlier and separate order connected to the June 12, 2009 ruling on the question of the jurisdiction. Interestingly, both Giacomo Barbetti and Giovanni Nagni both confirmed during court proceedings that they had purchased the bronze sculpture (in contravention of existing law) and sold the antiquity (in contravention of existing law) to an unnamed individual in Milan. or A.D., when Roman collecting of Greek art was at its height. Greek, 300-100 statuettes.24 Greek portrait statuary b.c.e., bronze with inlaid copper. The Getty Museum must return a 2,000-year-old bronze statue it bought for $4 million in 1977 to Italy, the Italian supreme court ruled. It was in Hertzers studio in Munich on December 13, 1972 that the bronze was first examined, by Dr. Thomas Hoving, then director of the Metropolitan Museum of Art in New York. cow and gate hungry baby milk ready made; aremu afolayan mother; tt active digital marketing services pacita These games included footraces, combat sports, pentathlon, horse racing, and chariot racing. The clay core inside might give further detail to where and when it was made. defined the fishing vessel as the territory of the State for fictio juris, as Italian ships and aircraft are considered as the territory of the State wherever they are, unless they are subject, according to international law, or to a foreign territorial law. This statue was completed in the 480 BCE in the late Archaic period and early classical period. If left untreated, the copper part of bronze can easily fall off, leaving a disfigured image. rdr2 kieran fishing mission disappeared; reggie lewis son basketball. o the 1968 decision by Italys highest court, the Court of Cassation, ruling that there was no evidence that the object belonged to Italy. 3357/07 R.G.I.P. Italys supreme court has ruled that the Getty museum in Los Angeles must return a 2,000-year-old bronze statue it bought for almost $4m (3.1m) in 1977. Andrea del Verrocchio, (born 1435, Florence [Italy]died 1488, Venice), 15th-century Florentine sculptor and painter and the teacher of Leonardo da Vinci.His equestrian statue of Bartolomeo Colleoni, erected in Venice in 1496, is particularly important.. History of the Statue referred to in Italy as L'Atleta di Fano, L'Atleta di Lisippo, L'Atleta Vittorioso, or for short, often as a point of pride, or affection, "il Lisippo." 2400 lh576-01 sigma lh576-01 a Rethinking a modern attribution. The disease occurs when chlorides and salts in the bronze react with moisture producing discolored spots. 2314 and 2315. In Magistrate Gasperinis own June 2018 order of forfeiture, the judge mentions Salerno in the following passage: A logical similar argument, equally effective in lieu of consulting this non-existing registrar, could have been that to request a direct ruling to the Italian Ministry of Cultural Goods, which the lawyers of the seller, as well as Paul Getty and so, at last, also the members of the Board of Trustees always failed to file, while lying down on the unofficial discussions held (in the firm of the professional) by Mr. Grimaldi with an official of the Ministry, Mr. Salerno, who had contacted him to verify whether there had been any negligence by the Italian Ministerial authorities. The Victorious Youth is a Grecian bronze sculpture dated to be between 300-100 B.C. 42 of 2004 and article 301 of Presidential Decree n. 15 of 1972. Last Hurricane To Hit Destin Fl , Statue Of A Victorious Youth Formal Analysis , Poems About The American Dream Dying , Registering A . Also the memory or capabilities of those making statements has also drawn questions as to abilities and motivations as we have pointed out in an earlier blog post. Place: Greece (Place Created) Europe (Place Found) Culture: Greek Object Number: 77.AB.30 Alternate Titles: According to Jiri Frel, the stance and proportion of the Getty Bronze are similar to Lysippos's portrait of Demetrios Poliorketes (336-283 B.C.). Analysis (any type) Writer's choice. Carbon-14 dates derived from the core material do not help to narrow down the Victorious Youths date beyond the range already determined by stylistic analysis. To protect their found treasure, they buried the bronze in a cabbage field at the home of Dario Felici, near Carrara di Fano before eventually selling it for a reported 3.500.000 Italian lire to the antiquarian Giacomo Barbetti. Initially, the artist created an armature or support made with a thick wooden stick, iron bars or wires, and ancient reed sticks to support appendages from the torso. Italy's highest court has ruled that the J. Paul Getty Museum must surrender a linchpin of its collection, the bronze Statue of a Victorious Youth, to Italy. The olive wreath was the prize for a victor in the Olympic Games and identifies this youth as a victorious athlete. As the encrusted statue, covered in marine organisms and barnacles from its 2000 years in seawater began to smell, the ancient bronze drew unwanted attention. Over the last 10 years or so, the Italian Culture Ministry has waged a legal fight to force the Getty to send the statue to Italy. Also, if Italys fundamental position is that an object becomes part of a countrys patrimony by its mere presence in the country, Victorious Youths 40-plus years in Los Angeles presumably give California a superior claim. The Victorious Youth, Getty Bronze, also known as Atleta di Fano, or Lisippo di Fano is a Greek bronze sculpture, made between 300 and 100 BC,[1] in the collections of the J. Paul Getty Museum, Pacific Palisades, California. 42 of 2004 and article 301 of Presidential Decree. That same year Herzer shopped the statue to Bernard Ashmole, then Keeper of Greek and Roman Antiquities at the British Museum. VictoriousYouth Greek, 300-200 BCE, Bronze The traditional pose of a victorious athlete, a relaxed and condent youth crowns himself with an olive wreath. Lysippos was praised for his ability to evoke the soul from his statues through fleeting expressions. Greek, 300-100 statuettes.24 Greek portrait statuary b.c.e., bronze with inlaid copper. Statue of a victorious youth. The German courts therefore deemed the entire rogatory requested by the Italian investigation authorities as unenforceable. Set up by the Moro IV Cabinet through a December 14, 1974 decree, n. 657, the newly formed Italys Ministero per i Beni Culturali e Ambientali (defined as per i beni culturali that is for cultural assets) took over the heritage remit and functions previously found under the Ministry of Public Education (specifically its Antiquity and Fine Arts, and Academies division). In the summer of 1977, The J. Paul Getty Museum purchased the bronze statue and it remains in the Getty Villa in Malibu, California. (It. Statements given by Pirani, Ferri and a deckhand aboard the vessel, referring to the approximate location where the statue was found, have at times been inconsistent. Similarly, the Getty Research Institute (GRI) has, since 1991, lent 70 prints, drawings, manuscripts, and rare books to exhibitions in Italy. Thirty nine of the antiquities covered by the deal were scheduled to be transferred to Italy by the closure of 2007. Moreover, the statue is not and has never been part of Italys cultural heritage. Amenhotep II (sometimes called Amenophis II and meaning Amun is Satisfied) was the seventh Pharaoh of the 18th dynasty of Egypt. In the days that passed the negotiated figure for the purchase of the statue changed several times; raised on the part of Hertzer through Carritt or negotiated lower by Getty, but always without the substantiating documentation required by the two museums being produced. Mateo Lodge is a group home, residential treatment facility-mental health related in Redwood City, CA, which was founded in 1975 and most recently had $3,368,130 in revenue and 40 employees. Beitrags-Autor: Beitrag verffentlicht: 14. 3 de junho de 2022 . Like many other bronzes, the Victorious Youth traveled across the ocean on its way to Italy for reinstallation, possibly in public areas or in private homes.[12]. But unlike a hapless Kafka character, the Getty has an inkling as to why its nearly life-size statue, known as "Victorious Youth" or the "Getty Bronze," is back in a maze of judicial and . Frankly speaking whether or not the museum is ultimately obliged judicially to return the bronze to Italy, its ethical quandary, of maintaining a plundered object in its collection in spite of its known illicit nature, has been clearly exposed. For now the Italian Court at the Tribunal level in Pesaro, the Court of Appeals and the Court of Cassation have all ruled (in some cases repeatedly) in favor of seizure based upon Italian current laws. June 10, 2022 . David depicts Napoleon as a victorious and powerful leader. What does that really mean for the museums prized Victorious Youth, Confronting Myth and Misperception about Antiquities, Developing an Online Scholarly Museum Catalogue, Creative Commons Attribution 4.0 International License. Accidental discovery by Italian citizens does not make the statue an Italian object. Until we see that decision, we cannot determine with certainty our next legal steps. He also asked for all the documentation Herzer had surrounding the statues acquisition. [16] However, this theory did not survive the criticism of other scholars. Post author By ; Post date university of mississippi notable alumni; appliance liquidation rojas el paso, tx on statue of a victorious youth formal analysis on statue of a victorious youth formal analysis Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more, http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=8912. According to literature, the bronze statue found at the Getty Villa is renowned by lovers of art from all around the world (Mattusch 1). To read all of ARCAs posts on the Getty case, Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection Summer 2023. In 1968, the Court of Cassation, Italys highest court, ruled that there was no evidence that the statue belonged to the Italian state. The captain of the vessel was Romeo Pirani, the owner of the vessel was Guido Ferri. According to statements taken by Fano fishermen with knowledge of the event, who worked aboard the fishing vessel Ferruccio Ferri and were involved in the discovery, the bronze statue, which came to be known as lAtleta Vittorioso, was found by coincidence, and was hauled up into fishing nets from the Adriatic sea in August 1964. Tiny timeline: ancient Egypt and Mesopotamia in a global context, 5th3rd millennia B.C.E. This process repeats itself twice and is finalized with one last artificial humidity test to check if the bronze disease resurfaces. With this technique the artist is able to focus on the head as an individual project to the full composition of the lithe body. Written by University of Chicago instructor Helmuth C. Engelbrecht and journalist Frank C. Hanighenfuture cofounder of the conservative weekly Human Eventsit was an instant hit and became a book of the month club selection. The precise location of the shipwreck, which preserved this object from being melted down like all but a tiny fraction of Greek bronzes, has not been established; it seems most likely that a Roman ship carrying looted objects was on its way to Italy when it foundered.
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